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How to make ink
Cyntia Karnes
Conservation Division, Library of Congress
Recipes and instructions
It is suggested that you read the description
of ingredients before making these inks. The
information will help you understand the effect
that each material has on the final product.
- Recipe 1: "instant ink,"
preparation time: 1-2 hours
Rules made by E.B. For his children to learne
to write bye
"To make common yncke of
Wyne take a quart,
Two ounces of gomme, let that be a parte,
Five ounces of galles, of copres take three,
Long standing dooth make it better to be;
If wyne ye do want, rayne water is best,
And as much stuffe as above at the least:
If yncke be to thick, put vinegar in,
For water dooth make the colour more dimme.
In hast for a shift when ye have a great nead,
Take woll, or wollen to stand you in steede;
which burnt in the fire the powder bette small
With vinegre, or water make yncke with all.
If yncke ye desire to keep long in store
Put bay salte therein, and it will not hoare.
Of that common yncke be not to your minde
Some lampblack thereto with gomme water grinde"
This
recipe is from an English book of handwriting entitled
A Book Containing Divers Sorts of Hands, by John
de Beau Chesne and M. John Baildon, and published
in 1571. The quantities listed are rather large,
so the recipe was reduced by one quarter in trial
preparations: half a pint (8 fl. oz. or 120 mls.)
of cheap white wine; 0.5 ounces of solid gum arabic
dissolved in the wine; 35 grams powdered Aleppo
galls (one ounce = 28 grams); and 21 grams iron
sulfate. In preparing the galls, it is best to first
crack them into small pieces with a hammer, then
grind them into powder a bit at a time with a mortar
and pestle, spice mill or coffee grinder. Placing
the galls in several plastic bags will help to contain
the pieces while using the hammer.
Part of the inherent difficulty with using old
recipes is the issue of changing terminology. Word
definitions and context inevitably alter across
borders and through time (for more on this problem,
see Source Research). In Manuscript Inks, Jack Thompson
cites a Mrs. Merrifield, author of Original Treatises
Dating From the XIIth to XVIII Centuries on the
Arts of Painting, published by John Murray in London,
1849: "...The old Paris quart was equal to
2 pints....The Paris pint was nearly equivalent
to the English wine quart." An English quart
is slightly more than an American quart.
- Recipe 2: ink prepared by boiling galls,
preparation time: 4-5 hours
Ure's Tannin Ink Galls 18 parts
by weight
Ferrous Sulfate 8 parts by weight
Gum 7 parts by weight
Water 145 parts by weight "Add
130 of the water to the powdered galls in a pan,
and boil with constant stirring, to prevent the
ink from burning, for two hours, adding water little
by little at intervals to replace that lost by evaporation.
The decoction is then allowed to cool, and filtered...While
the filtration is proceeding we dissolve the vitriol
and gum in the remaining 15 parts of water, and
pour the solution into the filtrate. The ink does
not develop its full blackness at once..."
The
ink is easily burned if water is not frequently
replaced during the boiling process. During trial
runs, an additional 350 milliliters of water was
added during the two hour period. The solution tends
to become very frothy as it boils, so be sure to
use an extra large container, and use a spoon to
push down any solids which collect on the interior
walls.
This recipe was prepared from powdered galls, but
you may try using galls crushed into large chunks
to save time. Upon cooling, a skin will form on
the surface which will be removed by filtering.
Also, this ink has a tendency to form a sludge at
the bottom of the container over time. The liquid
may be decanted or, if using dip pens and not fountain
pens, may be shaken to mix the precipitate into
solution (the precipitate will clog fountain pens).
If you wait a few days before using this ink, the
color will become deeper and richer. 
- Recipe 3: ink prepared by fermenting
galls,
preparation time: 2 months
Runge's Gallic Acid Ink
Galls 8 parts by weight
Ferrous Sulfate 4 parts by weight
Gum 2 parts by weight
Water 64 parts by weight The
larger part of the water is poured boiling over
the crushed galls, which are then allowed to ferment
for two months. The liquid is then drawn off, and
the residue is rinsed with the rest of the water.
The two solutions are filtered together and the
gum is dissolved in the filtrate. The vitriol is
then added in the form of concentrated solution.
Sigmund
Lehner, in his treatise entitled Ink Manufacture
(cited in literature), mentions that the conversion
to gallic acid caused by the fermentation process
should be complete in 8 to 10 days, whereupon boiling
water is poured over the mass to kill the ferment.
Trial runs using this recipe are still in progress.
Revisit the site in another month to read about
the results. 
- Recipe 4: ink prepared by fermenting
galls and adding logwood, preparation time: two
weeks
First Quality Campeachy Gallic
Acid Ink Galls 20 parts by weight
Campeachy Wood (Logwood) 30 parts by weight
Ferrous Sulphate 20 parts by weight
Gum 30 parts by weight
Water 130 parts by weight
"Crush the galls, and let them ferment with
80 of the water for a fortnight. Then draw off the
liquid, and rinse the residue with enough water
to make the liquid and washings up to 100. The remaining
50 of the 130 of water is boiled on the logwood
raspings till the solution only weighs 30. It is
filtered hot, and the vitriol and gum are dissolved
in it. It is then mixed with the gallic acid solution.
In a few days there will be a considerable precipitate.
The supernatant liquid is an excellent ink of a
pure black color."
This
is a beautiful, rich black ink, even without waiting
a few days. In trial preparations, the logwood was
boiled with twice as much water as specified (100
mls. Instead of 50 mls.). This was then boiled down
to 30 milliliters, filtered through a sieve and
poured over the mixture of gum arabic and iron sulfate.
The result is a black sludge which must be filtered
through a sieve before adding to the gallic acid
(fermented gall solution). The remaining logwood
still has a great deal of coloring power, and the
dye can continue to be extracted and reduced down
for later use.
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