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About this website
Please note that the SEPIA project ended November
2003. Information about the programme and the outcome of the project
can be found on this website, but the site will not be updated.
SEPIA (Safeguarding European Photographic Images for
Access) is a EU-funded project focusing on preservation of photographic
materials. On this website you will find information about :
| About SEPIA |
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Courtesy
of Finnish Museum of Photography |
Historical photographic
collections are an essential part of the European cultural heritage
both for their artistic as for their documentary value. Photographs
speak a universal language, and as a record of past times appeal
to a large audience. However, many of them are fragile and the preservation
of the wide variety of photographic materials is a problem for all
institutions. Digital imaging, offering new opportunities for access
and care, is now widely explored for its role in management of photographic
collections.
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| In
1999 the European Commission on Preservation and Access (ECPA)
initiated a project aimed at the long-term preservation of
all kind of photographic materials and defining the role of
new technology in collection management.
The project was set up explicitly to bring together representatives
from different types of institutions that hold photographs: libraries,
archives and museums, as well as from research institutes. This
followed from a basic principle in the work of the ECPA, to create
a platform to exchange ideas and experiences of preservation issues
that break through the traditional division into sectors. The project
was funded by the European Union under the Culture 2000 programme
for one year. |
The success of these activities encouraged the partners
to formulate a follow-up program for another 3 years. This runs from
1 November 2000 until 31 October 2003 and is also subsidized by the
Culture 2000 programme. More partners and associate partners have joined,
so that the group now consists of 19 institutions in 11 countries.
SEPIA II has build on the experiences of the first year.
Activities are again targeted at both the professional world and the general
public. Training sessions, several expert meetings, exhibitions and public
events have been organised in participating institutions, a website and
introductory texts on photographic preservation have been published in
several languages.
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